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1858 Vote Cast: António Fonseca 139 min Creator: Karim Aïnouz tomatometers: 8,6 / 10 stars Director: Karim Aïnouz. O filme que o Thiago deu nota 10 assim como o Coringa. YouTube. Omelete:Brasil vai ganhar o Oscar! Hollywood:kkkkk. Carol, o título saiu com entrevista invertido. Ta entrevitsa. Guida and Euidice are two sisters who could not be any more different. Euridice is tall, Guida is short. Euridice is focused, determined and working hard to become a professional pianist, Guida can't think about anything but boys. When a tragic incident separates them the girls are lost without each other but they never give up hope to meet again. A desperate search turns into a journey of a lifetime, when in fact the girls only live a few streets away from each other. will the sisters be able to reunite? And at what cost?
Based on a novel INVISIBLE LIFE offers a very typical plot for Brazilian cinema. Sisters separated by fate is a tagline straight from GLOBO tv channel soap operas that are so popular in Brazil. With a running time of 2h20min the pace is rather slow and the story takes its time to get going. Where the film succeeds is the atmosphere of the 40s Rio, with its walkways, restaurants, and its diminishing Portuguese middle class that can easily slip into extreme hardship and poverty.
Independent director Karim Ainouz is a Cannes darling but has never quite made it into the big league. This feels like a passion project for him and his love for Rio is obvious in every shot. Definitely not for everyone THE INVISIBLE LIFE is rich in emotion and atmosphere. Watch out for a small role from Brazilian acting royalty Fernando Montenegro. Her emotional gut wrenching cameo could be just the reason to see this overlong family saga.

Espero que Atlantique avance para a lista final (para vencer, Parasite, claro. A não inclusão de Monos não abalou em nada a minha vontade de vê-lo (e parece ter uma boa fotografia também, assim como Atlantique e Parasite.

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O engraçado é que quando ele virá mulher fica agressivo e durão ao invés de manter a própria personalidade!kkk. #A Vidafullmovie123moviesenglish A Vida Invisível SeriEs For FreE Online Watch A Vida Invisível Movie WATCH #avida ONLINE STREAMING FULL… (A Vida Invisível Download Torrent. Trailer [pt st en] by  Karim Aïnouz mp4 (1920x1080) 1:47 Copy and paste the code in your html to embed this video: Rio de Janeiro in the 1940s, the life of Guida and Euridice Gusmão, raised to be invisible in the eyes of the Brazilian society of that time, like all the other women of that generation.

‘The Climb, ‘Joan Of Arc, ‘The Invisible Life of Euridice Gusmao & More Chosen As Cannes Un Certain Regard Award Winners 24 May 2019 The Playlist The Cannes Film Festival is coming to an end tomorrow, as the closing ceremonies are expected to begin on Saturday. However, before the festival ends and the Palme dOr is awarded, the event decided to honor those special selections that were chosen by the jury in the Un Certain Regard section of Cannes. Read More: Bruno Dumont s Absurd ‘Jeanne (‘Joan of Arc) Is A War Of Attrition [Cannes Review] Leading the way is Karim Ainouzs latest film, “The Invisible Life of Euridice Gusmao. ” The drama about two sisters in 1950s Rio de Janeiro on separate paths, longing to be reunited took home the sections top prize. Continue reading ‘ The Climb, ‘ Joan Of Arc, ‘The Invisible Life of Euridice Gusmao & More Chosen As Cannes Un Certain Regard Award Winners at The Playlist. See full article at The Playlist » Bruno Dumont (I) The Climb (2019) Joan of Arc (2019) Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.

“Mais rentável que cobrar direito autoral do Pai Nosso” kkkkkkkkkkkkkkkkk. Mano apareceu o trailer do filme no vídeo do trailer do vídeo.

 

CADÊ O OSCAR.

Pantera negra matador de vagabundos

Eu amei Enclausurado. Foi simplesmente sensacional. Li umas resenhas que acharam absurdo um bebê com tantas referências de vinho, filosofia, etc. Mas gente. Ja é absurdo que um feto esteja narrando a história. A partir daí vc tem que entender que o livro não tá preocupado em ser fiel ao nosso mundo. Ou vai me dizer que Mortos protestam para ser enterrados toda semana, por exemplo.

Luis, é você. @Claudielma Stefany. Transforming the way people see the world, through film. Email address You can unsubscribe at any time. See our privacy policy. Rio de Janeiro, 1950. Eurídice, 18, and Guida, 20, are two inseparable sisters living at home with their conservative parents. Although immersed in a traditional life, each one nourishes a dream: Eurídice of becoming a renowned pianist, Guida of finding true love. In a dramatic turn, they are separated by their father and forced to live apart. They take control of their separate destinies, while never giving up hope of being finding each other. A tropical melodrama from the director of Madame Satã. BONUS: Karim Aïnouz in Toronto (english) Original Title The Invisible Life of Eurídice Gusmão German Title Die Sehnsucht der Schwestern Gusmão French Title La vie invisible d'Eurídice Gusmão Other Titles La vita invisibile d'Eurídice Gusmão - A vida invisível de Eurídice Gusmão Directed by Karim Aïnouz Country Brazil Available Formats Blu-ray, DCP Screenplay Murilo Hauser, Inés Bortagaray, Karim Aïnouz - based on Martha Batalha Soundtrack Benedikt Schiefer Cinematography Hélène Louvart Sound Waldir Xavier, Rodrigo Maia Sacic Décors Rodrigo Martirena Costumes Marina Franco Production Rodrigo Teixeira Runtime 139 Min. Language Portugiesisch/d/f oder i Actors Fernanda Montenegro Eurídice Gusmão Carol Duarte Eurídice jovem Júlia Stockler Guida Gusmão António Fonseca Manuel Gregório Duvivier Antenor Marcio Vito Osvaldo Cristina Pereira Maria Manoella Nikolas Antunes Yorgos Awards Cannes 2019: Prix un certain regard Valladolid International Film Festival: Prix de la meilleure actrice pour Carol Duarte et Júlia Stockler; Prix Fipresci pour Karim Aïnouz «Der Regisseur Karim Aïnouz findet im Alltag normaler Frauen ein Mass an Leid und Stärke, das es mit jeder Heldengeschichte aufnehmen kann. Der Film flimmert, pulsiert, atmet. »  Nina Jerzy, NZZ «Grosses, grandios komponiertes und gespieltes Schicksalsdrama. » annabelle «The Invisible Life of Eurídice   Gusmão ist ein sehr sinnliches Frauen- und Gesellschaftsporträt über mehrere Jahrzehnte, das eine ungeheure erzählerische Kraft entfaltet; ein Film über gesellschaftlich akzeptierte Unterdrückung, aber auch über die Sehnsucht nach bedingungsloser Liebe. »  Regina Grüter, Aargauer Zeitung «Dabei müssten die Leute in einen Film wie den brasilianischen „A vida invisível de Eurídice Gusmão“ von Karim Aïnouz stürmen. ein Film über zwei Schwestern, jede rebellisch auf ihre Weise, die sich in den späten Fünfzigern aus den Augen verlieren. Ein Film, der unsichtbare Biographien sichtbar macht (inspiriert von dem gleichnamigen Roman von Martha Batalha) und überreich ist an sinnlichen Details, Gesten, Tragödien und neuen Heimaten. » Verena Lueken, Frankfurter Allgemeine Zeitung «A vida invisível, nach dem Roman von Martha Batalha, ist ein wuchtiges, überbordendes Melodram, in den 1950er Jahren angesiedelt, getränkt von tropischer Schwüle und Hitzköpfigkeit. »  Wolfram Knorr, Die Weltwoche «Sehenswert und berührend. » Cineman «Eine filmische Beweisführung für die Aussichtslosigkeit, ein Leben ausserhalb der patriarchal vorgeschriebenen und die Frau als solche per se unterdrückenden Rolle führen zu wollen - ob aufmüpfig oder folgsam. » Thierry Frochaux, PS «Das epische Melodrama A Vida Invisível de Eurídice Gusmão erzählt die Geschichte zweier Schwestern, die mit Worten getrennt werden. Das ist toll gespielt, berührend und herzzerreissend, jedoch zu keinem Zeitpunkt kitschig. Brasiliens Oscar-Einreichung für den besten internationalen Film bietet ganz grosses Gefühlskino. » Christoph Schelb, outnow «Zeitreise zweier Frauen - ein bewegend schönes Stück episches Kino aus Brasilien. » art-tv «In Cannes in der Kategorie Un certain regard ausgezeichnet, skizziert der brasilianische Regisseur Karim Aïnouz ein ebenso lebensfrohes wie tieftrauriges Melodrama zweier Schwestern, die sich den Regeln der patriarchalischen Gesellschaft fügen müssen. » Züritipp «Une fresque intime et ambitieuse qui dit le lien indestructible entre soeurs, incarnées par deux comédiennes charismatiques. On pleure de bonheur. »  rts «Un mélo imposant au propos féministe pertinent. » Le Matin Dimanche «Une fresque sociale et féministe, loin des clichés habituels sur le Brésil, et une galerie de portraits de femmes dominées par les hommes et lordre social. » France Culture «Dune injustice si révoltante quil fait mal au ventre, ce film dépeint aussi lune des plus belles histoires damour du cinéma. » 20 Minutes, Marine Guillain «Un grand film abouti sur tous les plans. » RTS La Première, Jean-Philippe Bernard «On est complètement emporté par ce flot d'émotions. » RTS, Raphaële Bouchet «Karim Aïnouz signe un grand mélodrame féministe en hommage aux lumineuses héroïnes almodovariennes. » Konbini «Le film est incroyablement beau, sa lumière (signée de la grande Hélène Louvart) ses couleurs, ses cadres et textures, et toujours à la limite de la faute de goût que le mélo exige, dans la crudité des humeurs et lexcès coloré. » Libération «Sur un fil tendu quelque part entre Almodovar et Wong Kar-wai, ces demoiselles de Rio déploient le récit dune vie de résilience et de larmes sur fond démancipation. Un mélo brésilien stylisé et feutré. » Paris Match «Romanesque en diable, cette tranche de vie au long cours est surtout une splendide évocation de femmes privées de la liberté d'aimer comme d'être indépendantes. » Notre Temps «A nourishing melodrama elevated by Karim Aïnouz's singular, saturated directorial style. » Variety «A hounting drama that quietly celebrates the resilience of women. » The Hollywood Reporter «Un film d'époque émouvant et déchirant. » Screen Daily «Un récit vibrant sur la quête de liberté. » Le Parisien «Le film trouve sa beauté propre dans son souffle biographique, cette façon de rapporter lexistence au temps qui passe et transforme tout, suscitant dune sœur à lautre, dune époque à la suivante, de puissants courts-circuits émotionnels. » Le Monde «Un mélo tropical aux couleurs splendides et saturées et aux émotions tragiques, sensuelles et exacerbées. »  Grazia «Si c'est du mélodrame, c'est seulement dans le meilleur sens du terme. » Sight&Sound Variety Interview with Karim Aïnouz at Zurich Film Festival Dossier_Medien (3202 kB) Dossier_presse (4523 kB) Flyer (1829 kB) Werberatschlag (2978 kB) COPYRIGHT Texts as well as any visual and audio material on the website of the trigon-film foundation are intended for reporting on the respective film or the promotion of the theatrical release. 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When a year begins with the thundering success of a movie like Alfonso Cuaróns Roma at the Oscars, its fair to fear that the rest of the year wont measure up. And while its true that the Academy Award-winning black-and-white feature from one of Mexicos most renowned auteurs may not be matched when it comes to the 2020 Oscars, theres no denying that US Latino and Latin American cinema had yet another banner year in 2019. No sooner had Cuaróns Netflix release barreled into the Oscar race when Sundance unveiled a number of projects that, close to 11 months later, continue to electrify audiences and critics alike. From a Colombian  Lord of the Flies  that tackled guerrilla fighters to an ode to Mexican punk in the 80s (co-starring  Roma ‘s Marina de Tavira) and a powerful chronicle of contemporary Brazilian politics, Sundance set the tone for whats been a stellar year. One need only look at the list of winners from the most well-known festivals from around the world: Brazil took home the Un Certain Regard Award (Karim Aïnouzs The Invisible Life of Eurídice Gusmão) and the Jury Prize (Kleber Mendonça Filho and Juliano Dornelless Bacurau) at Cannes while Argentina was cited at Berlin with the Teddy Award for Santiago Lozas Brief Story from the Green Planet. But it was at Sundance where one of the buzziest and timeliest projects that dominated the film festival circuit first emerged:  Cristina Ibarra and Alex Riveras  The Infiltrators  walked away with both the Audience Award and the NEXT Innovator Award, cementing this docu-fiction set at a detention center that a group of young undocumented activists infiltrate in order to reveal its shadowy practices. And while such high-stakes political motivations are more often found in independent films, big-budget tentpole flicks this year couldnt escape them, especially as old franchises aimed to find new ways of reaching modern audiences by including Latinx characters and storylines. That was definitely the case both for the latest  Terminator  sequel ( Dark Fate, featuring Austin-born Gabriel Luna as the first Latino Terminator) and the newest  Rambo ( Last Blood, which sent the famed war vet to the border. Neither lit the box office on fire but at least the former — much like Rian Johnsons  Knives Out   and the big-screen live-action adaptation of  Dora the Explorer — let fearless Latinas be front and center. Which is all to say, whether you were catching movies at the multiplex, at your local film festival or on that most famous of streaming services, you were bound to see some of the most exciting work coming out of Latin America and being produced by U. S. Latinos. And so, in the spirit of “Best Of” lists that clutter your feeds at this time of year, find our selection of movies you should have caught or should seek out (as some are still making their way to theaters. Check out the full list below, which includes, where theyre available and information on where to catch these cinema gems. – Manuel Betancourt Editors Note: The process behind selecting these films was complicated and akin to a hotly contested election in Latin America including backroom deals and occasional bribery. Eventually, we agreed on a totally unfair system of rating the movies we liked that played in U. theaters or prestigious film festivals throughout the world and may have won some awards. We chose to include movies directed by US-born Latinos, Latin Americans, and by non-Latinos but on Latino subjects. Amores modernos Director Matías Meyer Country Mexico Production Year 2019 Amores modernos will be released in Mexico in March 2020. Synopsis In Mexico City, the surprising death of Armida, a matriarch of a middle-class family, provokes a series of revelations that will confront the members of a family accustomed to living in isolation from one another. Described as a choral film with a sprawling ensemble that includes Ilse Salas ( Las niñas bien) Luis Alberti ( Eisenstein in Guanajuato)  Leonardo Ortizgris ( Museo) and Andrés Almeida ( Tenemos la carne) among others, Matía Meyers project looks to examine what it means to “love” someone at a time when such an emotion feels like a fleeting luxury or a heartbreaking reality. Film Details The Infiltrators Director Alex Rivera, Cristina Ibarra Country United States The Infiltrators will be released in US theaters in 2020. Synopsis Without warning, Claudio Rojas is detained by ICE officials outside his Florida home. He is transferred to the Broward Transitional Center, a detention facility used as a holding space for imminent deportations. Terrified of never seeing him again, Claudios family contacts the National Immigrant Youth Alliance (NIYA) a group of activist Dreamers known for stopping deportations. Believing that no one is free as long as one is in detention, NIYA enlists Marco Saavedra to self-deport in hopes of gaining access to the detention center and impeding Claudios expulsion. Once inside, Saavedra discovers a complex for-profit institution housing hundreds of multinational immigrants, all imprisoned without trial. Based on true events,  The Infiltrators  is both a suspenseful account of a high-stakes mission and an emotionally charged portrait of visionary youth fighting for their community. Midnight Family Director Luke Lorentzen Country Mexico, United States Production Year 2018 Midnight Family - Still 3 A still from Midnight Family by Luke Lorentzen, an official selection of the U. Documentary Competition at the 2019 Sundance Film Festival. Courtesy of Sundance Institute, photo by Luke Lorentzen Midnight Family - Still 1 Midnight Family is currently playing select theaters. Synopsis With striking vérité camerawork, Midnight Family drops us directly into the frenetic nighttime emergency ecosystem of Mexico City. In the midst of high-speed ambulance rides, we meet the Ochoas, a ragtag family of private paramedics, who try desperately every day to be the first responders to critically injured patients. In a city where the government operates only 45 emergency ambulances for a population of over nine million, the family acts as a crucial—but unregistered—underground lifeline. But the job is riddled with police bribes and cutthroat competition. And even though the Ochoa family has a reputation for being trustworthy, they must reckon with the sudden escalation in bribes that could force them to wade into the ethically questionable practice of making money off of patients in dire straits. Monos Director Alejandro Landes Country Netherlands, Germany, Uruguay, Colombia, Argentina Monos will be available on Blu-ray on December 10, 2019. Synopsis Belonging to a rebel group called “the Organization, ” a ragtag band of child soldiers, brandishing guns and war names like Rambo, Wolf, Lady, and Bigfoot, occupies a derelict ruin atop a remote mountain where they train themselves, watch over a “conscripted” milk cow, and hold hostage a kidnapped American engineer, Doctora (Julianne Nicholson. But after an attack forces them to abandon their base, playtime is over for the motley young crew. The visionary third feature of Alejandro Landes ( Cocalero, Porfirio) Monos captivates us with its striking baroque aesthetic, otherworldly setting, and ingenious reframing of the war film—one that uses adolescence to insinuate a youthful but elusive dream of peace. With enthralling performances from Nicholson and a talented young ensemble led by Moises Arias, Landes constructs a stylized, deceptively surreal space that teeters between tedium and hedonism, made more unsettling by its disquieting soundscape and Mica Levis brilliant score. Esto no es Berlín Director Hari Sama This is Not Berlin is available to stream on iTunes. Synopsis As Mexico anticipates the 1986 World Cup, 17-year-old Carlos is less interested in soccer and more interested in listening to his record collection and admiring Rita, the older sister of his best friend, Gera. Carlos and Geras suburban, juvenile monotony is interrupted when Ritas goth band introduces them to an underground nightclub, the Azteca. The teens are instantly seduced by the Aztecas regulars and their exhilarating world of performance art, sexual fluidity, and prescription drugs. Carlos and Geras friendship is tested as the two explore new identities and face the consequences of adult decisions. Infused with a post-punk soundtrack and brimming with enchanting performances from a promising young cast, Esto no es Berlín delivers an energetic portrait of a clandestine sanctuary propelled by youth fleeing the societal repression of their time. The Edge of Democracy Director Petra Costa Country Brazil Edge of Democracy is available to stream on Netflix. Synopsis Once a nation crippled by a military dictatorship, Brazil found its democratic footing in 1985 and then, in 2002, elected a hugely popular political disrupter: steel-worker-turned-activist Luiz Inácio Lula da Silva. Under his watch, 20 million Brazilians were lifted out of poverty, and his country rose to international prominence. In 2010, Lula passed the presidential baton to his prodigy, a fierce female guerrilla named Dilma Rousseff. But beneath their sunny legacy, rumblings of populist rage and institutional corruption seeped into the mainstream – much of it abetted by a partisan judge who fed news outlets sensational, deeply flawed corruption reports that targeted Lula, Dilma and anyone else who refused to scratch the backs of powerful politicians and special interest groups. With remarkably intimate access, The Edge of Democrac y follows Brazils embattled leaders as they grapple with a scandal born out of their countrys fascist past and inflamed by a furious and ideologically divided nation. Vandal Director Jose Daniel Freixas Synopsis Nick, better known as “Damage” in the streets of Miami, is the young leader of an infamous graffiti crew that leaves its mark wherever it goes. As they grow larger in fame and number, problems start arising — Nicks personal life goes on a downward spiral; the illegal nature of his passion is bound to get him in trouble with the authorities, and, on top of that, he has to learn to fend off the local rival crew. A local production shot in Miamis neighborhoods of Wynwood, Little Havana and Little Haiti, Vandal takes the very thrilling world of graffiti art and explores the struggle of street artists to keep their art alive as well as the social backlash that goes hand in hand with pursuing their biggest passion. Cuban-American director Jose Daniel Freixas, a graffiti artist in his own right since the age of 10, puts his first hand experience in the world of graffiti to good use by highlighting Miamis gritty streets as well as its multicultural heritage to show a city full of color, life and passion. A vida invisível de Eurídice Gusmão Director Karim Aïnouz Country Germany, Brazil Invisible Life opens theatrically on December 20, 2019, and later will stream on Amazon. Synopsis From prolific Brazilian auteur Karim Aïnouz and set in midcentury Rio de Janeiro, The Invisible Life of Eurídice Gusmão  is a sprawling melodrama about feminine resilience. Based on Martha Batalhas beloved novel, Aïnouzs most accessible work retains the unfettered sensuality and sumptuous splendor that render all his films so uniquely captivating. The year is 1950. Classical piano prodigy Eurídice (Carol Duarte) dreams of studying at the Vienna Conservatory. Her sister Guida (Julia Stockler) however, is the first of the siblings to make it to Europe, albeit fleetingly. After having eloped with a Greek sailor, Guida soon returns to Rio de Janeiro pregnant and alone, unbeknown to Eurídice. Kept apart by a terrible lie, years pass as the two sisters forge their respective paths through their citys teeming bustle, each believing the other to be half a world away. Complementing the seductively saturated hues of the cinematography by Hélène Louvart, the films soundtrack features a soulful score from Benedikt Schiefer coupled with a poignant voice-over duet consisting of the sisters misaddressed missives. Culminating in an affecting cameo from Oscar nominee Fernanda Montenegro, Aïnouzs stirring epic of winding paths, that fail to intersect, balances cruel irony — the black sheep finds herself truly seen, while the ostensibly good daughter becomes invisible — with carnal abandon and tenacious love. Vuelven Director Issa López Production Year 2017 Tigers are not afraid is available to stream on Shudder. Synopsis Hailed by Oscar winner Guillermo del Toro as one of the best Mexican films in recent years, Issa Lopezs dark fantasy is a heartfelt genre film that surpasses all expectations. Its protagonist, 10-year-old Estrella, has three wishes. The first one is for her missing mother to return. Her wish is granted, but her mother is dead and her ghost follows her everywhere. Terrified, Estrella tries to escape by joining a gang of orphan children, but she quickly discovers that in the real world, ghosts are never truly left behind, and that only the bravest survive the brutality and violence that surround her. De Lo Mío Director Diana Peralta Synopsis Sibling bonds are both rekindled and tested in the achingly alive feature debut from Diana Peralta. Rita (Sasha Merci) and Carolina (Darlene Demorizi) two high-spirited sisters raised in New York, travel to the Dominican Republic to reunite with their estranged brother Dante (Héctor Aníbal) and to clean out their grandparents old home before it is sold and knocked down. As they rifle through the remnants of their familys legacy, shared joys, pains, and traumas resurface that they must confront once and for all. Sensitively attuned to the intricacies of sibling relationships — from the playful teasing to the way a favorite childhood song can trigger an impromptu dance party — De lo mío is a richly human look at cherishing the past while learning to let go. Ema Director Pablo Larrain Country Chile Ema will play US theaters in summer 2020. Synopsis Set in the scenic seaport city of Valparaíso, the latest from Pablo Larraín reunites the visionary Chilean auteur with Mexican superstar Gael García Bernal ( No, Neruda) for an incendiary drama about art, desire, and family. Ema (Mariana di Girolamo) is a talented young dancer whose roots lie in the carnal reggaeton grooves she and her friends perform to in the city streets, but shes forged a career as part of a more cerebral modern-dance ensemble helmed by her husband, choreographer Gastón (García Bernal. As the film opens, the couple is reeling from a terrible crisis: their adopted 12-year-old son Polo has set fire to their home, severely burning the face of Emas sister in the process. With her child taken from her and her marriage crumbling, Ema sets out on a strange, secretive, and risky quest to reset her life. Paper Boats Director Yago Muñoz Synopsis Jorge is a cantankerous widower living a lonely life in the Mexican desert. One day he receives a call from his estranged daughter, an undocumented immigrant in the US, who is in desperate need of his help. Faced with the possibility of losing her three children to the NY foster care system, she decides to send them to live with Jorge while she fights for her American dream, and a road to citizenship. Paper Boats reminds us of the unconditional bond of family, and how the innocence of children can touch the most hardened of hearts. Knock Down the House Director Rachel Lears Knock Down the House is available to stream on Netflix. Synopsis Alexandria Ocasio-Cortez, a young, bold Puerto Rican bartender from the Bronx, works double shifts to save her familys home from foreclosure. Struggling with her own financial problems, she knows many of her neighbors are also hard-pressed to make a living. In order to bring representation to one of the most marginalized constituencies in America, Alexandria runs for office. This film follows four women — Alexandria Ocasio-Cortez, Amy Vilela, Cori Bush, and Paula Jean Swearengin — who join a movement of insurgent candidates to topple incumbents in an electric primary race for Congress. At a moment of historic volatility in American politics, these four women — all political outsiders — unite to do what many consider impossible. Their efforts result in a legendary upset. La Llorona Director Jayro Bustamante Country Guatemala, France Synopsis The story of La Llorona ( The Weeping Woman) concerns a Medea-like figure who drowns her children after being abandoned by her husband. Shes thereafter condemned to wander the earth, bringing misfortune to all who cross her path. A perennial myth in Latin American culture, La Llorona has appeared in countless works of music, literature, and cinema — but shes never been re-imagined with the level of trenchancy found in the latest work from writer-director Jayro Bustamante. Transplanting the ancient tale to a contemporary Guatemala still struggling to find justice for the victims of its Civil War, La Llorona is a horror story whose deepest chills are generated by real-life atrocities. Once a fearsome commanding officer, General Enrique Monteverde is now an elderly man in the early stages of Alzheimers. Decades after the Civil War, Monteverde is belatedly brought to trial and found guilty of genocide, but his conviction is swiftly overturned on judicial technicalities. Accompanied by his wife and daughter — as well as their faithful housekeeper and her mysterious new subordinate — Monteverde is brought home. While demonstrators clamor daily for retribution outside the walls of his property, Monteverde begins to hear and see strange things transpiring within his home during the wee hours. Acusada Director Gonzalo Tobal Country Argentina, Mexico Acusada is available to stream HBO Go. Synopsis Barely 20 years old, Dolores Dreier (Lali Espósito) has spent the last two years hiding from the outside world under the ever-watchful eyes of her parents. Dolores suddenly finds herself as the only suspect in her best friends murder; shes the last person to see her alive before her brutal death. Under intrusive media scrutiny, and facing accusations from the general public and the speculation of friends and family, Dolores is feeling hollowed out and drained from the experience. At first reading like a criminal procedural, Gonzalo Tobals accomplished second feature Acusada ( The Accused) develops into a reflection on the way our society processes true-life crime stories. Film Details.
Entrevista e vídeo maravilhosos. Parabéns, Carol. Admiro muito a forma que vc realiza seu trabalho 🥰.

 

DEUSA. E fim de papo.
Characters are not that much sympathetic and the rythm is slow, everything is on surface and we couldn't delve to the characters and storylines, mostly I think because of lack of brilliant writing and dialogues.
The only character despite the short amount of time was well written and well played was Filomena.